Living with Scleroderma

Reflections on the Messy Complexity of Chronicity

managing chronic disease

Multitasking

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Friday morning. While brushing my teeth, thinking through the day ahead (must leave the house by 10:00 to get to my 11:40 annual cardiology check-up in Boston, must take my laptop with access to work files for the inevitable waiting-room doldrums), I suddenly wonder: I see my rheumatologist in two weeks, but I know he ordered a pulmonary function test to be done prior to the visit. Is it today?

I check the calendar on my cellphone. Sure enough—PFT at 2:30. I never transferred it to my desk planner (yes, I prefer a paper calendar for a weekly overview, easier to get the gestalt).

My entire afternoon is now in flux. I had a lot of work planned for when I got home. Now I really need to be in full portable office mode. I check emails before I leave. One of my clients needs to discuss a consultant’s proposal. I suggest a 1:30 call. I should be out of my first appointment and waiting for the second by then, and I can park myself in the lobby outside the diagnostic lab for the conference call. Laptop, cellphone and charger stowed in my purse, I head out the door.

Fortunately, traffic is moving well, and I arrive for my first appointment ahead of time. My doc is running a bit behind. There’s an electrical outlet near one of the chairs in the waiting room. Perfect. I set up my laptop with the charger, so I won’t drain the battery later, and begin to work through emails. Of course, this magically conjures the cardiology tech, who calls me in for my appointment.

Juggling purse, coat, computer and cord, I make it through the preliminaries of weight check-in. As she records my blood pressure and oxygenation level, my mind is on my work. I sit on the edge of the exam chair, waiting for her to calibrate the EKG machine, and watch the black second-hand of the wall clock. Click-click-click-click-click.

EKG recorded, I set up my laptop and log into the WIFI. I’m about to start up with the emails, but stop myself. Oh, right. The reason I’m here is to see my cardiologist. Better make some notes about issues to discuss. I jot these down in a small notebook and go back to work. I finish typing as my cardiologist enters the room. Switch gears. This is about my health, now.

Ok, focus. The main issue of concern is a recent episode of shortness of breath. At a party in March, I had been dancing vigorously and then stopped because my knees were getting tired. As soon as I sat down, I had trouble catching my breath. This is why I have the PFT scheduled at 2:30, to get a current reading on my diffusion rate. My cardiologist reviews the details carefully. We have been working with a hypothesis of exercise-induced pulmonary hypertension, a variant of late-stage complications of scleroderma, for several years, now. It could be that, it could be something else. But the episodes are infrequent (fortunately), my echocardiogram history is consistent and my meds are all in order, so for now, he tells me, just avoid sudden, strenuous exertion, which seems to be the trigger. Keep on exercising, though. And if it happens spontaneously or more frequently, call him. He schedules a follow-up in six months. I feel reassured.

Over the next hour, I fit in lunch and search for a quiet place to work with a WIFI signal. This takes persistence. The signal is inconsistent, depending on location. But by 1:30, I’m back online, in a lobby with hardly anyone around, and am able to speak for a half-hour with my clients in NYC. I follow up with some other business, plus texts and emails with my eldest daughter. I make it to the pulmonary function lab at exactly 2:30.

More waiting. The lab tech needs to make a call, so I squeeze in another text response. Now for the tests. She reviews the procedure, which I’ve done many times, and begins instructing me to first breathe normally into the tubing attached to diagnostic equipment, then take a big breath in, push it all out and another big breathe in. It’s physically challenging for me, and requires mindful awareness of what constitutes a full breath in and a full breath out. As we’re running the test, she chats with another tech who is making a phone call.

Then a doctor—I assume, he’s wearing a white lab coat and the techs wear blue scrubs—steps into the open doorway. We’re repeating the test, the tech is waving her hand in a sine curve to indicate I should continue normal breathing, I’m trying to focus on what I’m supposed to be doing, and he’s telling her that there’s an issue with her quality scores for some research study that they’re involved in. He continues to discuss this with her as she defends herself and interjects verbal and visual cues to me—when to push out, when to breathe in.

Finally he leaves. Time for a break between tests. She realizes she forgot to set up the next test correctly and needs to recalibrate the equipment. She’s obviously flustered. I try to say something reassuring. I field another text from my daughter as we wait. We talk about our children, about texting, about staying in touch. I feel awkward for her. How humiliating, that her superior would give her critical feedback while I’m sitting there. And how uneasy it makes me feel, wondering if she knows what she’s doing, though she certainly seems to. And how ridiculous, to be conducting that conversation while we’re engaged in a diagnostic that requires concentration.

But of course, we all multitask. It’s a given, right?

Later, much later, after I’ve driven home through Friday afternoon traffic and have finished all the record-keeping, follow-up emails and return phone calls, and I can finally forget about work and relax over Shabbat dinner, I pause and notice—the pink peonies and purple irises in a blue ceramic vase, the white candles flickering, Ginger’s steady panting under the table, the smell of warm challah and sweet potatoes and baked cod. So good to slow down and just be. So good.

Photo Credit: mr.beaver via Compfight cc

Evelyn Herwitz blogs weekly about living fully with chronic disease, the inside of baseballs, turtles and frogs, J.S. Bach, the meaning of life and whatever else she happens to be thinking about at livingwithscleroderma.com.

Lucky

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Sitting in the hallway of Mass Eye & Ear’s Cornea Service, as doctors, fellows and technicians in white lab coats stride back and forth, back and forth. Before, all the seats that line the wall were full. Now I’m by myself. A cranky teen sitting next to me earlier complained to her mother about prisoners being seen here. “Why do they have to go to the good hospitals?” she griped. “Why do they have to take my spot when they’ve committed a heinous crime?”

Doors open and shut with a swish and ca-chunk. I’ve had my medical history taken, my vision checked, my tear production dip-sticked, my eye pressure tested for glaucoma, my cornea thickness measured. I’ve been here for nearly three hours, having made it through all the preliminaries, and now I await the big cornea specialist.

This is the first time I’ve ever had my Sjogren’s (another autoimmune disease that can accompany scleroderma, which damages moisture producing glands) carefully assessed, because the dryness in my eyes is causing light sensitivity and blurring toward day’s end. After my travel episode with conjunctivitis in March and resultant corneal abrasions from irritating eye drops, I am wary of putting any new medications in my eyes without a thorough evaluation.

The cranky teen told me her first appointment here took five hours. I have made the mistake of parking in the Mass General Hospital garage, which does not accept validation from Mass Eye & Ear, even though the institutions are right next to each other, and I realize this visit is going to cost a small fortune.

I wonder if they’ve forgotten about me.

I check my email on my laptop. At least I had the sense to bring it along so I could get some work done. Could I have gotten so absorbed in responding to a client that I missed hearing my name?

“Evelyn?” The man’s voice is loud, authoritative. Finally, the specialist has called me in. He is tall, trim, graying. No glasses, maybe wears contacts. Two women fellows accompany him into the exam room. He apologizes: my chart was put in the wrong place and he’d been looking for me for the past half-hour. Sigh.

More drops, more lights, more gentle prodding to see if my eyes exude any tears. After he checks, he has the fellows look, too. It’s a teaching institution, after all, and I am a teachable moment. He types on the computer for what seems endless minutes as the fellows, now three of them, watch in silence. Occasionally he asks a question to clarify a detail. I feel like I am being tested. Have I given the right answer? Is he ever going to talk to me?

Finally he finishes his notes and swivels around in his chair. He knows his stuff. This man teaches ophthalmology at Harvard Medical School. We discuss options to relieve the dryness from Sjogren’s, which include blocking the ducts that drain tears from my eyes with tiny silicone plugs to increase the moisture level—like stopping up your bathtub, he explains—but apparently my ducts are “pouting” because they are too irritated and wouldn’t hold the plugs well. The whole idea is so new to me that I’m actually relieved not to have little stoppers inserted in my eyelids. It’s hard enough for me to let anyone touch my eyes at all or put in drops.

So, next best option: steroid drops to heal the inflammation and then a round of Restasis, which quiets the autoimmune process that has tightened the spigot. He’s forthright—the Restasis may not work to increase my tears, it takes four to six weeks to kick in, and it can be irritating. He recommends refrigerating the drops before inserting them to minimize side effects, also going a week on the steroid drops, first, to ease the inflammation. “And don’t rub your eyes,” he cautions. “It’s not your fault that you do, but it doesn’t work to produce more tears and it makes the irritation worse.”

Four hours have passed since I first arrived. I am exhausted from the long appointment and complicated prognosis, even as I appreciate the expert consultation, and overwhelmed by the prospect of yet another very expensive medication which may or may not be effective, just as our health insurance coverage is about to change to a higher prescription co-pay in July.

I find the cashier at the garage and catch my breath. Anything over three hours will cost a whopping $48. But by a miracle, the cashier assumes I’m a Mass General patient and only charges me $10, even without a stamped validation. Okay, thank you.

I take the elevator to the floor where I think I left my car. Then I get confused. Did I walk up an incline or down to get to the elevator after I parked? I’m watching the signs and not my feet. Whomp! I trip over a curb and smack wrists, elbows and knees on concrete. It hurts. A lot. But by another miracle, I’m able to get up without any severe pain that would indicate fractures or broken bones. Even as I feel tears welling that won’t come, I’m also amazed and relieved. I find my car and check all the points of contact. My gloves, pants and coat have protected me. No cuts, no scrapes, no torn clothes, just achey. All I want to do now is get home.

I turn on the ignition and the tire pressure gauge glows yellow. I first noticed it this morning, as I was leaving to drive into Boston. A quick visual check revealed no soft tires, and I didn’t want to miss the appointment, which had taken weeks to get. So I risked the drive in, through two hours of heavy traffic, and just made it to my appointment on time. Now the car rides evenly down the ramp to the exit, and I assume it’s just a finicky sensor, so I keep driving.

An hour later, closer to home, I call our tire dealer on my cell to see if she can do a quick check. No problem. And a good thing, too, because it turns out that I have a screw in the left passenger tire that is causing a slow leak, but the tire could have blown any time. It can’t be patched. I pull out my credit card to pay for the new one. “You were lucky,” she says.

I guess so.

Image Credit: Illustration from “God’s Providence,” from the 1705 English edition of Orbis Sensualium Pictus by John Comenius, considered to be the first child’s picture book, originally published in 1658 in Latin and German; Boston Public Library. Thanks to www.publicdomainreview.org.

Evelyn Herwitz blogs weekly about living fully with chronic disease, the inside of baseballs, turtles and frogs, J.S. Bach, the meaning of life and whatever else she happens to be thinking about at livingwithscleroderma.com.

#19

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Friday afternoon, Greenwich Village. Al and I squeeze into two remaining back row seats of a tiny, darkened theatre at the IFC Center just as the previews end. The acclaimed documentary is Manakamana, a mesmerizing character study of pilgrims traveling to and from a Hindu temple in Nepal via cable car. This is first on my list of things to do on our big weekend celebration of my 60th birthday and Mother’s Day. I’ve been looking forward to this trip for weeks. And I have a toothache.

Central Park Bass 5-11-14I have a rare complication of scleroderma: The roots of some of my teeth are resorbing. So far, I’ve had a couple of back molars extracted and a front molar replaced with an implant. My dentist and periodontist have been monitoring the relentless deterioration of several other molars, since. The worst one, lower left, has been hanging on for five years, occasionally oversensitive to cold, but manageable. If it had a name, it would be Grumpy. But it only has a number, 19.

A few days before our trip, 19 was acting up. I assumed it would calm down with careful tending, per usual. But as we drove closer to NYC Friday afternoon, the twinges were becoming more persistent. I tried to ignore it.

A couple sits shoulder to shoulder in the cable car. He wears a traditional peaked cap, shirt and vest, and carries a live rooster. She wears a red blouse and necklace of green beads. Her face is shriveled. She leans with her arm over the back of the seat, exhausted. He checks his watch. As the car rides higher and higher above terraced corn fields and sal forests, she brightens. It’s fun to go to the temple, she says. It’s good to go out when you can.

As we leave the theatre, I realize that not only is 19 aching, but the pain is also traveling into my left ear. I can’t believe this is happening. I’ve come prepared with my pharmacopia of meds, but I don’t want to deal with a rotten tooth on my birthday weekend. It’s drizzling. We sit on a bench outside a bakery to sort out options. I don’t want to ruin everything we have planned, and I certainly don’t want to waste time in an ER or try to find a dentist who may not take our insurance. So we agree that I’ll try to manage the pain with my meds, wait and see.

Later that night, after a great meal (despite 19) of wine and risotto, enhanced by Al’s magical ability to find interesting people (across from the cafe, at an artist’s opening in a church gallery, we shared Shabbat candle lighting and kiddush), I lay awake, unable to sleep in strange surroundings. My mind travels back to the film.

Three young long-haired men, all dressed in black, joke and fiddle with their digital cameras and cellphones as the cable car travels up to the temple. It feels like we’re going up steps, says the one in the middle. My ears keep popping. They pose for each other’s selfies and play with a scrawny kitten. People ski on hills like this in other countries, says another. What if the cable broke and we fell, laughs the third. 

Despite a fitful night, I get just enough sleep to go ahead with our plans for the day. So far, 19 is achey but manageable. It’s warm and the sun is shining. We attend Shabbat services at B’nai Jeshurun on the Upper West Side, then take a long stroll through Central Park, watch turtles sunning by a pond and wander through the Shakespeare Garden. I lie down on a bench while Al explores. People row on the lake, others play softball. Horse-drawn carriages clop along the road. The skies open up and we take refuge in the Museum of Modern Art–Al’s first-ever visit. I’m weary but elated to view these stunning works once again and watch Al’s enthusiastic response.

It’s still raining when MoMA closes, but we find a great restaurant right next to the Broadway theatre that is our final stop for the evening. I’m revived by the meal and we finish just in time to pick up our tickets for After Midnight, a revue of Cotton Club jazz from the ‘30s, starring Vanessa Williams. The music, singing, tap dancing, costumes are spectacular. Even from the very last row of the rear mezzanine, we can see everything perfectly. Exhausted, I sleep through the night, grateful that 19 has not gained the upper hand.

Three women sit in the cable car, dressed in bright colors and beads, their hair white, their faces gnarled like the bark of ancient trees. They talk about how their husband couldn’t come because he twisted his ankle while carrying a bucket of water he had drawn. They nod and look out the glass windows of the cable car, admiring the view. Life is so much easier than it used to be, one says. We had to struggle to survive.

Sunday is warm, beautiful. We enjoy a hearty breakfast in a little cafe, a stroll to the East River, and then head to the Brooklyn Botanical Garden for a glorious walk beneath blossoming cherry trees. Next door, at the Brooklyn Museum, we immerse in the works of dissident Chinese artist Ai Weiwei and so much more. I make sure to take my pain meds on time, to keep 19 in check. We reluctantly depart for home when the Museum closes its doors at six.

On Monday, I call my dentist and get a late afternoon appointment. The x-ray tells the story: There is a round gray shadow over the molar’s left-branching nerve. The resorption has exposed it. Nineteen has to go. It will take six to nine months after the extraction to complete the implant. Not surprised, I accept the bad news reluctantly, rub my achey jaw and drive home. At least the procedure will get split between this year’s remaining dental insurance and the next.

Two men sit in the cable car, each holding a stringed instrument and a bow. The older one looks out the window and recalls walking over the hills below to get to the temple, before there were even paths. We should tune up, he says to his younger companion. As the cable car descends, they watch treetops pass while playing a rhythmic folk melody, round and round and round.

 

Evelyn Herwitz blogs weekly about living fully with chronic disease, the inside of baseballs, turtles and frogs, J.S. Bach, the meaning of life and whatever else she happens to be thinking about at livingwithscleroderma.com.

Suit of Armor

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Our skin is our body’s largest organ. It protects innards, moderates temperature, enables sensation and serves as our first line of defense against infections. When healthy, it is amazingly flexible, soft, adaptable to however our muscles and fat change shape.

Skin is also vulnerable—to lacerations, blows, piercing, burns. To deal with life’s inevitable struggles, we are told to grow a tough hide, like a rhinoceros, or have a stiff upper lip.

For those with scleroderma, of course, these admonitions are ironic. There is nothing worse that having skin too stiff or tough to easily flex and move. You feel all the more vulnerable, not stronger, trapped in your own leather.

I was thinking of this as I walked through a new exhibit at the Worcester Art Museum on Sunday afternoon, “Knights!” Here are some exquisite examples of medieval plate armor and weapons, period paintings and sculpture, juxtaposed with a powerful photojournalism essay on guns and drug wars by the Pulitzer Center for Crisis Reporting. Commissioned for royalty, the suits of armor are intricately detailed. Designed to intimidate, the deadly weapons are engraved with oaths and flourishes.

Everything looks incredibly heavy. And it is. You can slip your hand into a gauntlet—an armored glove—and flex your grip. This takes some strength. The plates on the back of the leather fingers feel like a row of linked flatware.

Viewing all the pikes, spears, two-handed swords, poleaxes, sabers and other weapons designed to pierce, crush and dismember, I can understand why knights wanted to sheathe their bodies in heavy metal. But I wonder what good it did them in the heat of battle.

How could they maneuver in all that steel, iron and brass? The suit of armor, alone, weighed about 50 pounds. This they wore over padded woolen or linen undergarments that absorbed sweat. Then they still had to carry all their battle axes and swords. If they fell off their armored horses, I can’t imagine how they would have been able to get up easily or regain balance or run and fight in the midst of all the carnage. It would have been like being trapped in a steel can.

But at least they had a choice. At the end of a won battle or joust or court appearance, the knights of old could take off their armor and stretch and flex again.

Not so with scleroderma. We can’t peel off our toughened, leathery hides. We have to learn to live within that abnormal skin. Sometimes, as has been my good fortune, thickened skin softens again with years and serendipitous treatment, though it never fully returns to normal. Too often, it doesn’t.

There is a battle to be won, here. But it is less a battle with the outside world—although learning to maneuver and manipulate and manage pain and protect your damaged hands and limbs is a significant undertaking—than an inner struggle to maintain your sense of self and self-worth.

Scleroderma may entrap our bodies. But it cannot steal our souls. For all of you who struggle daily with this disease, I hope, no matter how stiff your joints, how achy and itchy and pained your too-tight skin, or how exhausted you feel as you read this, that you cherish your uniqueness and let your spirit soar free.

Evelyn Herwitz blogs weekly about living fully with chronic disease, the inside of baseballs, turtles and frogs, J.S. Bach, the meaning of life and whatever else she happens to be thinking about at livingwithscleroderma.com.

Six-Oh!

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It’s official. I’m now in my seventh decade. Last Friday was my birthday, the big 6-0.

hydrangeasI’ve actually been looking forward to this milestone. First of all, 60 doesn’t seem nearly as old as it once did. Funny how that works—when you finally get here, the view is longer, deeper, more nuanced, not the caricature of feebleness that I envisioned when I was young. (Of course, my twenty-something daughters have had a field day, teasing me about senior moments. Mostly, I’ve laughed.)

Second of all, 60 feels like an accomplishment. I’ve been living with scleroderma for more than half my years, now. It is certainly wearing, exhausting and painful at times, frustrating, angering to feel gradually more limited in how much I can do with my hands or accomplish in a day. Each year brings new medical challenges.

But I’ve beat the odds on longevity and developed strong coping skills and plenty of resilience. I may have achieved this, anyway, with age, but I believe this complex disease has also taught me a lot about patience and persistence that I might not have learned otherwise. For a 60-year-old with scleroderma, I’m doing damn well, thank you very much, and I intend to do my best to keep it that way, whatever this disease throws my way.

So, I was looking forward to a celebratory day off on Friday, devoted to art—my own fiction writing and a trip to the Worcester Art Museum.

My body, however, had other ideas. Thursday afternoon, on my way home from a routine check-up with my Boston Medical rheumatologist, my joints began aching and I was flashing hot and cold in the car. My stomach had been irritated all day, from, I assumed, too much matzo for Passover.

I ascribed the joint pain to skipping my Ibuprofen due to the irritated stomach. After a light meal, I felt a bit better. That is, until evening, when I was dozing on the couch and suddenly felt like I was going to pass out. Thankfully, Al was home to help.

And that is why I spent my birthday flat on my back, sipping only water, trying to let my GI tract heal from what was by then, obviously, a virus. This was not the day I had planned.

I was determined, however, not to let a most unwelcome stomach virus ruin everything. So I wrote on my laptop and finished revising a short story that had been languishing for more than a year. That, plus greetings and gifts from family and friends, two beautiful hydrangeas that Al had brought home the night before and a cuddly stuffed turtle that he gave me that evening (nothing like being babied when you’re feeling crummy) helped to salvage the day.

I’m writing on Sunday, sitting at my desk again, able to eat very bland foods, looking forward to joining a group of good friends for dinner tonight as we begin the last two days of the Passover holiday. The art museum is closed for Easter Sunday, so I’ll postpone that visit a bit longer, keep it as something to look forward to. In May, Al and I will celebrate my birthday with a weekend in Manhattan.

Much as I wish it had all gone differently, somehow, it seems, this is what 60 is all about—taking the imperfections in stride, making the most of each day, whatever your state of health, appreciating the love of family and friends. And, for me, making art. Time to get over the fear-of-rejection hurdle and start sending out those short stories for publication.

Evelyn Herwitz blogs weekly about living fully with chronic disease, the inside of baseballs, turtles and frogs, J.S. Bach, the meaning of life and whatever else she happens to be thinking about at livingwithscleroderma.com.